Roland Merullo has consistently wowed critics with his brilliant storytelling and his refusal to be pigeonholed, hopscotching from the coming-of-age tale (In Revere, In Those Days) to the novel-as-fable (Golfing with God) to the road trip genre (Breakfast with Buddha). Now Merullo delivers a dazzling and finely nuanced political thriller about a clandestine plot to assassinate Cuban dictator Fidel Castro.

Former CIA agent Carolina Perez has spent five years working deep undercover with a singular goal: to take down Castro and free Cuba from his troubled presence. Recruited by a powerful shadow organization known as the White Orchid, steely and sexy Carolina has passed test after test to prove herself ready for the ultimate assignment. Convinced of the rightness of her cause, she will do anything to complete her mission. That includes duping her uncle Roberto Anzar, a wealthy and influential player in Miami’s Cuban American community. But when suspicious details raise questions about her mysterious employer, not even Carolina is prepared for the elaborate web of deceit that surrounds her.

Across the Straits of Florida, Carlos Gutierrez has been lured into playing a pivotal role in the plot to overthrow el Comandante. The minister of health and a member of Castro’s inner circle, Carlos has grown disenchanted with a political system that pays lip service to the Revolution’s egalitarian ideals while ruling the country with ruthlessness, corruption, and lies. As his involvement deepens at great risk to himself and those he loves, the doctor who has dedicated his career to saving lives must decide how much blood he is willing tohave on his own hands in the name of freedom.

For both Carlos and Carolina, the threat of betrayal looms large. Who can be trusted in a byzantine network of spies, double agents, and informants? Is the plot real or is it an elaborate ruse to expose the underground dissidents in Cuba? From the sizzling opulence of Miami to the paranoid dreamscape of Havana, Fidel’s Last Days is a dizzying ride by a novelist whose genre-crossing talents know no bounds.